- ROLAND XV 5080 KNOB JUMPY PATCH
- ROLAND XV 5080 KNOB JUMPY FULL
- ROLAND XV 5080 KNOB JUMPY PROFESSIONAL
ROLAND XV 5080 KNOB JUMPY FULL
While not as intensely detailed as Analogue Circuit Behaviour, the format at the heart of Roland’s boutique line, ABM still sounds full and lush and is more forgiving on the system CPU, allowing for quite a bit more polyphony (256 notes!) than ACB. Analogue modelling is done with a new technology called ABM, or Analogue Behaviour Modeling. As mentioned before, this includes the Jupiter-8, Juno-106, and SH-101, and the underrated JX-8P (perhaps the first time an official emulation of this ‘80s poly has appeared anywhere). The Jupiter-Xm includes Model Banks, or individual emulations, of classic Roland kit. Probably the part that will have most people excited is the analogue modelling side of ZEN-Core.
ROLAND XV 5080 KNOB JUMPY PATCH
Craft a patch on your MC-101 on the go and then stick it in your Jupiter-Xm when you get home and add it to a song. Almost a synthesis ecosystem, the idea is that you can design a sound on one ZEN-Core-equipped instrument and port it over to another. A mix of analogue modelling and PCM sounds, it’s been implemented across much of Roland’s current lineup, including the new Fantom series and MC-101 and MC-707 grooveboxes.
It’s the current flagship model so it gets the name Jupiter.Īt the heart of the new Jupiter-Xm (and big brother X too) is a new synthesis standard that Roland is calling ZEN-Core. With this in mind, it actually seemed very natural for us to call these new instruments Jupiter.” So there you go.
ROLAND XV 5080 KNOB JUMPY PROFESSIONAL
“Roland has given the Jupiter name to the premiere professional performance synthesizer from every era if we count the JP-8000 and JP-8080, there have been seven previous Jupiter models. Miki addressed those pining for an all-analogue Jupiter-8 remake directly.
But they do like using the Jupiter name, a name associated with one of the most famous analogue synths of all time, the Jupiter-8. With a few recent exceptions (the SE-02 made in partnership with Studio Electronics and the System-500 designed with Malekko), Roland doesn’t really do analogue anymore. While this could be seen as a drawback by some, the smaller footprint means it can be used almost anywhere, or in Miki’s words, “almost like a module version” of the Jupiter-X.
As per Miki’s vision of an all-in-one studio synth, the more diminutive Jupiter-Xm is much more portable, having only three octaves. The flagship Jupiter-X has 61 semi-weighted keys and is meant to sit at the heart of a studio. “While I often imagine a home studio filled with my favourite synths and other keyboards all connected and ready to play through professional outboard effects,” Miki said on the Roland website, “the truth is I don’t have the time or patience to maintain this, nor do I have the space.” To this end, he designed the Jupiter-Xm to be an all-in-one synthesizer studio, complete with effects, audio interface, and built-in speakers. As you’ve probably already cottoned on, we are indeed talking about reality and not fantasy, and the subject of our little game of make-believe is the Roland Jupiter-Xm.Ī pet project of Roland CEO Jun-ichi Miki, the Jupiter-Xm was designed to fulfil a certain niche in the synth market. How about some from the RD series? And while we’re dreaming, let’s throw in a bunch of drum one-shots sampled from classic kits like the TR-808, TR-909, and CR-78. You’re probably going to want a selection of carefully modelled pianos as well. If you could combine five or six of your favourite Roland synths and modules, what would go into the mix? If you said Jupiter-8, Juno-106, JX-8P, SH-101, and XV-5080, then keep reading.